Any audio signal that passes (louder) than the Threshold will be compressed. This is accomplished by setting the "Threshold" of the compressor. In order for a compressor to work, you need to tell it what is "loud" and what is "quiet". Once you understand what they do, start experimenting with different compressor models to understand how they are different from one another. Most modern compressors have a common set of controls. (dynamic range is the distance between the softest and loudest sounds) The way in which a compressor achieves this "reduction" is dependent on what type of compressor and how man options it has. In order to understand what we're dealing with better, let's look at what a compressor is and isn't.Īs a basic definition, a compressor is a device used to automatically the dynamic range of an audio signal, thereby resulting in a more "even" sound. Everyone has heard of them, we have all used them, as well as listen to other argue about which one is "better". CompressionĬompressors can be one of the most difficult things to understand and use in the studio. Some of the most amazing things happen through experimentation. Don't be afraid to experiment with these techniques and tools I am discussing here. There is no right or wrong way to mix sounds are dictated by the sounds around and the direction you want to go. Taking this process a step further, we will now concentrate on getting a "tone" in the vocals that sound pleasant in relation to the music.
We discussed in our previous article how to achieve a balance of your recording by using Volume Automation to create "evenness" between the soft and loud parts of the vocal recording. We will also explain how to use signal flow in Pro Tools to help you apply effects and achieve a more balance sound in your music. In this tutorial, we discuss how to work with Vocals and process them with Compression and EQ to help them sit better in a mix.
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